DRJ #4 Hamlet; Act 4

DRJ# 4: Hamlet, Act 4

                I felt this act was a pot being stirred. There were many different emotions and feelings going on. It reminds me of just society’s drama. People and kids are dealing with these types of things every day. You see it in the news about murders and potential suicides.

                Poor Ophelia and her lovely soul. All I kept thinking about is her wounded heart for her father’s death. It took a huge tool on her and her being of acting normal. Her morning was something I have never seen before. The songs she was making up and just going around and singing. I think maybe one time she talked like a normal human person but other than that she was just singing and making up her own words. Ophelia always seemed sweet and caring of her dad and brother. When she died I was shocked. It really was a twist in the act. In her eyes she just wanted to love and someone love her.

                When Laertes returns home all he wanted was to have revenge on whoever killed his father.  But I was thinking about revenge as a theme for this act. I was in awe by the love this family had for each other.  They had such a tight bond. It affected both of Polonius’s children where they both seemed lost without him. Then Hamlet sends Horatio a letter telling him what is going on. I thought “wow” what great friendship. So love/family/friendship popped out to me.

DRJ #3; Hamlet Act 3

DRJ #3: Act 3

                As a believer, when I feel I’ m being convicted of a sin I tend to want to lash out and get angry at the person who is telling me what I did was wrong. In Act 3, Claudius had to leave in the middle of the play because God was convicting him of murdering his brother.  Reading this part of the story reminded me of myself and all the reasoning and justification I do to make what I did wrong, right. 

                Hamlet was very strong emotionally in this act. When the actors were acting out the scene of his father’s death, Hamlet could have easily lashed out towards Claudius and seek revenge while he was watching. But I think it was brilliant to have a play convict the King instead of him doing it and something bad coming out it. Of course the protagonist I believe is Hamlet.  As much as he has resentment towards his mother he still seems to bring God and his religious views into action. He is very stern with his words. Like it’s mentioned in the play “Let me be cruel, not unnatural…I will speak daggers but use none” (1643) because he loves her he will let her know what she did is wrong.

                Act 3 was based upon a lot of guilt and sin.  Claudius was feeling the pain of guilt in his heart about the sin he committed. He can’t stand it now. He says “My stronger guilt defeats my strong intent” (1644).  He thinks a simple rain will wash away his bad deeds against his brother. He confesses to the heavens of his wrong intentions. Now this is when Hamlet believes if he kills him he will still go to heaven because he is praying and asking for forgiveness.  The image that is being painted is Claudius I feel is going to be the victim now.

DRJ #2: Hamlet, Act 2

DRJ # 2 Hamlet, Act 2

                Reading Act 2 wasn’t as interesting as the first Act. The beginning of Act 2 caught my attention until the actors came. I thought there would be more action with Polonius and Hamlet. I thought for sure Polonius was going to mention his daughter’s name while he was having a conversation with Hamlet.  I feel Polonius not wanting to have any confrontation with Hamlet quite yet. This is familiar to my character. When something is bothering me to the point I’m really irritated, I see that it’s hard for me to come out and say what I really want to say. I beat around the bush. It annoys me so Polonius character annoys me as well. 

                Polonius demeanor is like a child who wants to tell on other students or even worse, a parent who is overbearing and thinks their child deserves better than the other kids in the class. He believes he knows the reason why Hamlet has been acting “crazy.” All because Ophelia followed her father’s ordered and ignored Hamlet.  I believe Polonius is causing conflict to make his family look impressive to the King and Queen. He even put his life on the line if he were wrong about the assumption of Hamlet’s negative behavior.

Not only did Polonius mention his daughter was the cause of the conflict but Hamlet, Rosencrantz , Guildenstern and the first player all mentioned a whore in Act 2. Even the actors that came, I felt their play was derogatory towards women.  Then in the end when Hamlet was speaking to himself he says “Must, like a whore, unpack my heart with words, and fall a-cursing, like a drab, a stallion” (1629) Drab and stallion mean whore. So “women” was used as a figure of speech multiple of times throughout the act.

DRJ#1 Hamlet, Act1

DRJ #1 Hamlet, Act 1

                After reading Hamlet Act 1 the play started to remind of the move Sixth Sense. I know that maybe sound awkward but the concept of Hamlet, Horatio, Bernardo and Marcellus seeing and talking to a spirit reminds me of the boy in the movie talking to the dead people. Either because the dead people wanted closure or in one case the girl’s mother killed the daughter by poisoning her and the girl spirit wanted the boy to tell the father what really happened by showing him a video. So it’s neat to see the same scenario in today’s films.

One character that stood out to me besides Hamlet was Laertes. He was a bright kid who loved his sister dearly and was true to France. As he was boarding the ship, he was making sure his sister would write him and lecturing her on young love. He was doing what older brothers would do and that is to protect them from any man. He isn’t afraid to speak his mind and what lies on his heart.  I’m not sure what his part is in the play but eager to find out.

I believe Act 1 was about loyalty.  It expressed Laertes finishing his duty at Denmark so he could return home. Towards the ending of the act Hamlet made an oath to his father’s spirit to take revenge on the old King’s death. That requires loyalty. Also, Horatio swears that he may never tell a soul about seeing the spirit of Hamlet’s father.  The main dialogue between the King and Hamlet had to do with the extension of mourning from Hamlet which raises the conflict.  Hamlet is still in mourning and Claudius is saying it’s due to “of impious stubbornness, ‘tis unmanly grief;” (1597).